Wednesday, January 14, 2026

Future generations will be "autistic savants" with AI

Leaving the question whether math is innate or acquired, by nature or by nurture, there is ample evidence that infants and primitive tribes can count either mentally or using fingers. As per the "Dasama Nyaya" a person counting a group leaves himself out which means counting manually is prone to errors. Between 1911-18 Swami Bharati Krishna Tritha published what is called now "Vedic Mathematics" taught in school all over:

"After a deep study of the Vedas, he extracted 16 Sutras and 13 sub-sutras that form the backbone of Vedic mathematics. These formulas aren't limited to just addition or multiplication they extend to algebra, geometry, trigonometry, calculus, and more."

Besides Ramanujam (1887-1920), who was not a self-admitted vedic scholar, the aforementioned swami was the most celebrated hindu mathematician even though their mathematical intuition is worlds apart. For instance, Ramanujam thought about various kinds of infinity viz. countable, uncountable, ordinal, cardinal, etc. along with intuition of his co-evals in the west that there are more real numbers packed in between zero and one than there are numbers in the entire range of naturals.

My favorite puzzle is when you have a guest appearing at a hotel with infinite rooms that are all occupied, how would you check-him in? One solution is to ask the existing guests to shift by one room and the first vacant room is to be assigned to the new guest.

While it could be that vedic mathematicians didn't ponder over infinity besides the saanti mantra, called metaphysical infinity, which in essence means whether you add or subtract infinity from or to infinity the result is infinity, they deserve credit for zero, a mysterious number connecting the negative and positive numbers on the number axis. Its use in modern binary computers is well known.

For ancient hindus, math is not just an instrument to study reality, like posited by the scientists studying phenomenal laws, but a way to connect with the divine. Nowhere it is more apparent than in jyotish. Starting with sages Parasara and Jaimini (5000 BCE), Arya Bhata (476–550 CE) who was a mathematician-astronomer and author of Āryabhaṭīya and the Arya-siddhanta, Varahamihira (505- 587 CE) who gave us a compendium of Greek, Egyptian, Roman, and Indian astronomy called Pancha-siddhantika (“Five Treatises”), are some of the great jyotishi Bharat ever produced.

In the realm of counting or arithmetic, Bhaskaracharya who gave us Leelavati Ganita in 12th century AD, for sizing up weight, volume, currency, etc. that are commonly called "weights and measures" in modern curricula, Dharma Raja who was an expert in "yaksha hridaya ganita" whereby one could tell the number of leaves on a fully grown tree without counting or the number of horses on a battle-field by a mere glance, besides Ramanujam who said the sum of infinite series of nature numbers adds up to a negative fraction which is more like the destiny of human race, are well known.

With the advent of calculators and computers, though counting fast or efficiently using brain power have taken a back-seat, the challenges posed by infinity are ever present. For example, what is the largest number to represent a nation's GDP or trade deficit that are currently in the range of trillions? What is the largest prime number that can be used to encrypt this message? Is space infinite? And so on.

In Leelopakhyana of Ramayana, Sage Vasishta speculates that within each atom there is an entire universe composed of atoms that have their own universe endlessly. It could be that our universe is the last in that chain. As scientists try to smash atoms in particle accelerators, we miss the big picture the Sage had painted. For example, our puranas say Lord Vishnu "descended" to earth from Vaikuntha. None is any wiser.

Finally there are autistic savants like in the movie Rain Man who could be specialists in counting or arithmetic though cognitively limited when compared to normal people, as there are people who can remember dates while not knowing their street address. Modern AI is made possible by such autistic theory where the "neural networks" specialize in pattern recognition to the exclusion of commonsense. Unchecked, future generations will turn out to be autistic savants much like Sakuntala Devi and Bharatiya chess wizards like Anand had demonstrated.

Regards

Moral Depravity is the cause of Desecration of Statue

Almost two centuries ago, Swami Dayananda Saraswati, founder of Arya Samaj, spoke against idol worship and temples. Many advaitis in south knew but didn't join Arya Samaj that was credited for the accession of Hyderabad Nijam after the Rajakar's movement in 1948. Why?

Adi Sankara in 8th century AD defeated Buddhists, Jains, etc. who introduced idol worship into Bharat and sent them packing to the North. Prior to Buddhism and Jainism, it is believed that hindus predominantly conducted yagnas or fire worship much like Zoroastrians in particular and Persians in general. The vedic gods like Indra, Varuna, et al. were not worshiped using idols but were offered havis from yagnas. Many religious places of worship left behind by the Budhists and Jains became the temples of worship for hindus.

Invaders came in waves after 10th century AD and were involved in the defacement of hindu idols and places of worship. Whether they were assisted by the local kings or temple desecration happened even before because of in-fighting among the hindu kings as claimed by Prof Richard Eaton of University of Arizona , is debatable but the restoration of Ramajanmabhoomi of Ayodhya to hindus (2019) was done by the whim of judges probably awoken by the deity in their dreams just as Lord Rama was known to have repaid Bhakta Ramdas' unpaid dues during the reign of Tana Shah (17th century AD).

Over the centuries as the hindu diaspora spread across the globe, they built temples for idol worship and there were several instances of desecration that are in parlance called vandalism by miscreants but never by state actors until now. Thailand's military has been accused of destroying a tall Lord Vishnu's statue near the border with Cambodia.

It is interesting to note that both countries compete for tourism by heavily depending on tourists from Malaysia, China, Russia and South Korea along with Bharat. So far this year at least 25 million tourists came from these countries and nearly 43 billion US Dollars were earned by tourism. In 2024, 2.13 million Bharatiyas visited Thailand and in Thai currency spent nearly 84 billion or about 3 billion US Dollars.

As one can see Bharatiyas contribute about 15% to Thailand's tourism which is not a big deal as many are drawn to sex-tourism Bangkok is famous for regardless of events related to the latest border skirmish. The politics of Thailand are driven more by what happens in Bangkok than to an idol at the border.

However, from Cambodia's, which is called Kambhoji by Akhand Bharat vadis, perspective things are totally the opposite. About 75000 Bharatiyas visited Angkor heritage and Hindu Budhist temples in 2024. And more are expected this year and in the coming years.

Given these facts, it is the moral depravity of Bharatiyas who would go to Bangkok for anything but idol worship that has caused the Lord Vishnu's statue to drop from a high pedestal. One can give more facts about Bharat's transition from Buddhism to Hinduism and the tragic circumstances Bharatiyas experienced under foreign rule post Sankara era. But it won't measure up against the decrepit state of affairs vis-a-vis Thailand's Bangkok.

Regards

Purushottama v. Uttama Purusha

Purushottama v. Uttama Purusha

A casual glance at the scripture reveals that in Bhagavad Gita, Lord Krishna uses the latter and in Vishnu Sahasra Namas the former is used. In simple words: "Purushottama signifies an exalted supreme being, embodying virtues and divine essence, often associated with Lord Vishnu." For the latter, an entire Chapter 15 called "Purushottam Yoga" was devoted in Gita.

The question: is there a difference? Gita answers affirmatively in terms of kshara purusha and akshara purusha where the latter means that which is imperishable, indestructible, fixed, immutable. What about Kshara Purusha?

This is where the masculinity concept is brought in. Starting with Greek gods like Hercules, Atlas, et al. the west had venerated masculinity in the fine arts and warfare. In the American context a phrase called "Hegemonic Masculinity" was constructed as: "men that are aiming to join military service to position themselves on the top of the hegemonic construct of masculinity". In the film, Pan’s Labyrinth, the idea of "fascist masculine" was used. As for the rest psychoanalytic theory, cognitive-development theory and learning theory definitions of masculinity apply which are:

Sex is biologically defined and gender is a social construct as male or female. Masculinity is a societal construct that is commonly associated with social problems like racism, depression, losing family and cultural value because in pursuit of true masculinity just to prove critics wrong, some men indulge in social vices like murder, theft and rape.

So anyway we cut it, masculinity is pejorative. In other words, as hindus we don't want to raise our children to live up to the masculine role models. That means, flexing muscles, subjugating minorities, exploiting females for progeny, etc. are not the qualities sought by us.

In the 20th century after hindus were finally liberated from the clutches of foreigners, a new found freedom led to the current "Kshara Purusha Crisis" for men that manifest as youth sporting beards (epitomized in the pan-India film Pushpa), women getting molested in public, sex tourism, pan-world films where heroes inspired by Super Man and James Bond project virility, machismo and chauvinism.

These kshara purushas have high fecundity which made sense when the economy was mostly agrarian and the infant mortality was high as more hands were necessary to tend the agricultural land even though it meant more mouths to be fed.

The kshara pusushas are also afraid that other religious groups will over-take them in terms of head-count and gain advantage in elections and convert Bharat to a theocratic state. While this seems like a legitimate grievance, the diaspora ascending to political heights in USA, UK, etc. is considered the same as "cognitively superior" merit-based immigration that opened the floodgates to immigrants in the west in general and USA in particular since 1965.

Regardless, the rest of the world sees Kshara Purushas using racist lens dividing them into androgynous and androgamus. The former is what we call "arathnaareeswara", the latter being my coinage that means subordination to the American hegemony.

In the west bollywood icons who are not Kshara Purushas were awarded honorary doctorates perhaps to create a competitive spirit among the religious minorities in Bharat that otherwise look up to "toxic masculinity" abroad. Many Kshara Purushas in the USA who spread hinduism through speeches, music, pravachanas, etc. project the Bharatiya soft power.

As Kshara Purushas come in more contact with other nationalities, preferring other women, we see a general feeling among their women as abandonment, rejection, and shame. So the Bharatiya women do the same and prefer macho men with shiny muscles or more wealth in other cultures. And this competition for appropriate mate goes on.

Lord Krishna is an Uttama Purusha because despite being in the midst of gopikas during raasa lilas, he was not swayed by any of them. The "Maryada Purusha" Lord Rama is known to all. At the same time, the follies of King Harischandra and King Dushyanta indicate the flip side of our culture.

The Adi Sankara's Bhaja Govindam advises the youth as:

nārī stanabhara nābhīdeśaṃ dṛṣṭvā mā gā mohāveśam | etanmāṃsa vasādi vikāraṃ manasi vicintayā vāraṃ vāram

Do not get drowned in delusion, infatuated with passion and lusty desires, by seeing a woman’s raised breasts and navel. These are nothing but a modification of flesh and fat, and the like. Do not fail to remember this again and again in your mind.

mā kuru dhanajana yauvana garvaṃ harati nimeṣāt-kālaḥ sarvam | māyāmayamidam-akhilaṃ hitvā brahmapadaṃ tvaṃ praviśa viditvā

Do not take pride in wealth, friends and youth. Each one of these is destroyed within an instant by Time. Free yourself from the illusion of the world of māyā and attain the realm of brahman, timeless truth.

Regards

Friday, January 9, 2026

Wendy Doniger Rig Veda Boy and Chariot




Table Of Contents

CREATION
CREATION - II
Death
Death - 2
Death - 3
Death - 4
Death - 5
Agastya - Lopamudra

సృష్టి
సృష్టి -- II
మృత్యువు
మృత్యువు -2
మృత్యువు -3
మృత్యువు -4
మృత్యువు -5
అగస్త్య - లోపాముద్ర

10.135   The Boy and the Chariot

10.135   బాలుడు మరియు రథము

ఈ ఋక్కు యమధర్మ రాజుకి సంబంధించినదని పూర్వీకులు చెప్పినా, యముడు మొదటి మరియు చివరి పాదాల్లో మాత్రమే మరణ రహస్య విచారణలో ప్రస్తావింపబడతాడు. దీని తాత్పర్యమేమానగా: ఒక బాలుడు తండ్రి మరణించగా, వాని ఊహల్లో తన తండ్రి వెనుక ఏడుస్తూ, వెనక్కి రమ్మని బ్రతిమాలుకుంటూ , యమలోకం చేరుకుంటాడు. ఇక్కడ బాలుడు మరణించేడనిగాని లేదా మరణించాలని భావిస్తాడనిగాని తెలుపబడలేదు. తండ్రి సమాధానంగా, బాలుడు తన ఊహలో తండ్రిని అనుసరించాలని నిర్మించిన రథము, వానికి తెలియకుండానే, తండ్రి వెనుక వస్తున్నాదని తెల్పెను. ఆ రథము అంత్యక్రియ లేదా దహన సంస్కారములో మృతుని శరీరాన్ని యముని మరియు పితరులకు తీసుకువెళ్ళే ప్రక్రియను సూచిస్తుంది1. అలాగే బాలుడు మరణించిన తండ్రిని చూడాలనే వాంఛను సూచిస్తుంది2. చివరి పాదంలో స్వర్గలోక ప్రస్తావన బాలుని ఊరడిస్తుంది3.

Though this hymn is traditionally dedicated to Yama, Yama appears only in the first and last verses (which are closely related), framing an allegory of the secret of death. The plot, though obscure, seems to be something like this: The father of a young boy has died, and the boy mentally follows the journey of his father to the realm of Yama, grieving and trying to get him to return; the hymn does not necessarily imply that the boy himself dies or even wants to die. The voice of the father answers the boy, saying that the chariot that the boy has built in his imagination to follow his father is already, unknown to the boy, bringing him after the father. This chariot is the funeral sacrifice or the oblation or the funeral fire that ‘carries’ the corpse to Yama and the fathers.1 It is, at the same time, a manifestation of the boy’s own wish to see his father.2 The final verse gives a vision of paradise, perhaps to reassure the boy.3

1 [The son:] ‘Beneath the tree with beautiful leaves where Yama drinks with the gods, there our father, the head of the family, turns with longing to the ancient ones.4

1. బాలుడు: యముడు దేవతలతో కలిసి పచ్చటి ఆకులతో కూడిన వృక్ష సముదాయంలో పానం చేస్తుండగా, నా తండ్రి, గృహ యజమాని, పితరులను చూడాలనే కాంక్షతో వెళుతున్నాడు4.

2 ‘ Reluctantly I looked upon him as he turned with longing to the ancient ones, as he moved on that evil way.5 I longed to have him back again.’

2. అతడు తన పితరుల దిశగా భయంకరమైన మార్గంలో వెళ్తూ వెనక్కి చూడగా నేను నిరుత్సాహంగా చూసేను5. అతడు వెనక్కి రావాలని మిక్కిలి ఆశతో ఉన్నాను.

3 [Voice of the father :] ‘In your mind, my son, you made a new chariot without wheels, which had only one shaft but can travel in all directions. And unseeing,6 you climbed into it.

3. తండ్రి : నీ మనస్సులో అన్ని దిశలా పయనించ గలిగే చక్రాలు లేని, ఒంటి దండమున్న రథాన్ని తయారు చేసుకున్నావు. తెలియకుండా6 దాన్ని ఎక్కేవు.

4 ‘My son, when you made the chariot roll forth from the priests,7 there rolled after it a chant that was placed from there upon a ship.’

4. పుత్రుడా, నీవు రథంలో పురోహితులను వీడి నప్పుడు7, దాని వెనుక మంత్రాల మహిమతో ఒక విమానం అధిరోహించేవు.

5 Who gave birth to the boy? Who made the chariot roll out? Who could tell us today how the gift for the journey8 was made?

5. ఆ బాలుని ఎవరు కన్నారు? ఎవరు రథాన్ని కదిలించేరు? ఎవరు ఈ పయనానికి8 కారణభూతాన్ని చెప్పగలరు?

6 How was the gift for the journey made? The beginning arose from it: first they made the bottom, and then they made the way out.9

6. ఈ పయన సాధనం ఎలా చేయబడింది? మొదలు దాని నుండే వెలువడింది: మొదట దాని ఆధార పీట చేయబడింది. తరువాత దాని నుండి నిష్క్రమించే మార్గము చేయబడింది9.

7 This is the dwelling-place of Yama, that is called the home of the gods. This is his reed- pipe that is blown, and he is the one adorned with songs.

7. ఇది యముని సదనము. దీన్నే దేవతల గృహంగా భావిస్తారు. ఇది వాని వేణువు. అనేక రాగాలతో అతడు భాసిల్లుతాడు.

NOTES

వివరణ

1. Cf. 1.164 for the mystic symbolism of the chariot that is the sacrifice, with no wheels and one shaft (10.135.3); and cf. 10.16 for the funeral fire.

1. 1.164 లో యజ్ఞమనబడే చక్రాలు లేని ఏక దండము గల రథము ప్రస్తావించబడింది. 10.16 లో దహన సంస్కారము తెలుపబడినది.

2. In later Sanskrit, the ‘chariot of the mind’ (manoratha) is a word for ‘wish’. Cf. 10.85.12 for a chariot made of thought.

2. తరువాత వచ్చిన సంస్కృత పరిభాషలో "మనోరథము" అనగా తీవ్రమైన కోరిక. 10.85.12 లో మనస్సుతో చేయబడిన రథమని సూచింపబడినది.

3. This hymn may be the kernel of the famous myth of Naciketas, in which a boy travels to the realm of death and converses with Death and with his father. But the present hymn cannot be interpreted as if it were already an expression of that complex myth.

3. ఈ ఋక్కు తండ్రి శాపగ్రస్తుడై యమలోకాన్ని చేరి యమధర్మరాజుతో మాట్లాడిన నాచికేతుని కథకు భూమిక. కానీ ఈ ఋక్కులో మిక్కిలి క్లిష్టమైన నాచికేతుని ప్రశ్నలు, వాటికి బదులుగా యమధర్మ రాజు యొక్క వివరణ పొందు పరచబడలేదు.

4. The dead ancestors in the realm of Yama. Cf. 10.14.

4. యమలోకములోని పితృదేవతలు సూచింపబడిరి. (10.14)

5. The path of death; probably not Hell, but cf. 10.71.9 and 10.85.30.

5. యముని మార్గము అనగా నరకానికి మార్గం కాకపోవచ్చు. (10.71.9, 10.85.30)

6. Literally, not seeing the chariot that you are mounting; symbolically, not understanding the power of the sacrifice.

6. గ్రాంథికంగా అధిరోహించే రథాన్ని గాంచలేకపోవుట. అనగా యజ్ఞము యొక్క మహిమ తెలియకుండుట.

7. The priests compose the funerary hymns which accompany the corpse and which are thus ‘carried’ by the chariot and by a ship (both metaphors for the sacrifice and the oblation) that the priests send away from them.

7. పురోహితులు వల్లించిన అంత్యక్రియల మంత్రాలు మృత దేహాన్ని అనుసరిస్తాయని సూచింపబడినది. అనగా రథము, మరియు విమానము (రెండూ యజ్ఞము మరియు ఆహుతికి చిహ్నాలు) పురోహితులచే ఆవాహన చేయబడినవని సూచితము.

8. Probably equipment with which the deceased was supplied for the journey to Yama’s abode (cf. 10.16.8), here identified with the chant placed on the sacrificial chariot. The word here translated ‘gift for the journey’ (anudeyï) occurs only once more in the Rig Veda, to describe the woman who accompanies the bride on her journey to the groom’s house (10.85.6).

8. బహుశా యమలోకానికి పయనించే మృతుని ప్రయాణానికి కావలసిన సాధనములు మంత్రాలు మరియు యజ్ఞ రథములుగా సూచింపబడినవి. ఇచ్చట ప్రయోగింపబడిన "అనుదెయీ" పదము, అనగా ప్రయాణ సాధనము, ఋగ్వేదములో మరియొక చోట వధువుతోపాటు అత్తమామల గృహానికి వెళ్ళే పడతిని సూచింపబడినది. (10.85.6)

9. This verse is simultaneously a literal description of the chariot and a figurative reference to the chant, with its opening and closing phrases.

9. ఈ పాదము మొదటి, చివరి పదములలో రథము యొక్క చిత్రీకరణము మరియు మంత్రముల యొక్క మహిమ సూచింపబడినవి.

Friday, January 2, 2026

Wendy Doniger Rig Veda Agastya-Lopamudra




Table Of Contents

CREATION
CREATION - II
Death
Death - 2
Death - 3
Death - 4
Death - 5

సృష్టి
సృష్టి -- II
మృత్యువు
మృత్యువు -2
మృత్యువు -3
మృత్యువు -4
మృత్యువు -5

1.179   Agastya and Lopamudra

1.179   అగస్త్యుడు మరియు లోపాముద్ర

In this conversation, Lopamudra seeks to turn her husband Agastya, who has undertaken a vow of chastity, away from his asceticism so that he will beget a child upon her. Although he argues that there are two ways to achieve happiness (or immortality), she overpowers him (v. 4), and afterwards he wishes to atone for his lapse by drinking Soma (ingesting the divine form of the protean fluid that, in its human form, has just been ‘sucked’ from him). Finally the poet affirms that the two of them, by uniting after each had perfected a power (she eroticism, he asceticism), achieved both forms of immortality, spiritual and corporeal (through children).

ఈ ఋక్కులో అగస్త్య ముని, ఆతని భార్య లోపాముద్ర మధ్య జరిగిన సంభాషణ వర్ణింపబడినది. అగస్త్యుడు బ్రహ్మచర్య నిష్ఠతో తపము నాచరించుచుండెను. కానీ లోపాముద్ర సంతతిని కాంక్షించింది. అగస్త్యుడు రెండువిధములుగా ఆనందము లేదా అమరత్వము పొందవచ్చునని వాదించినా, లోపాముద్ర మాటే నెగ్గుతుంది. అటు పిమ్మట అగస్త్యుడు తన పాపమునకు పరిహారముగా సోమ రసమును త్రాగెను (ఏలననగా తనలోని దైవ గుణము కలిగించే సోమము క్షీణించెను). లోపాముద్ర తనకున్న కామ వాంఛలతో, అగస్త్యుడు తపో నిష్ఠతో, ఆధ్యాత్మిక చింతన మరియు సంతానముతో, అమరులైరి.

1 [ Lopamudra:] ‘For many autumns past I have toiled,1 night and day, and each dawn has brought old age closer, age that distorts the glory of bodies. Virile men2 should go to their wives.

1. లోపాముద్ర: నేను రేయింబగళ్ళూ శ్రమించగా1, వయస్సు మీరి, దేహ పౌష్టవము తగ్గినది. పౌరుషమున్న పురుషులు 2 తమ భార్యల వద్దకు వెళ్ళవలెను.

2 ‘For even the men of the past, who acted according to the Law and talked about the Law with the gods, broke off when they did not find the end.3 Women should unite with virile men.’2

2. ఎందుకనగా, గతంలోని పురుషులు, ధర్మాన్ని అనుసరించి, దేవతలతో నియతిని చర్చించినప్పటికీ, తపో నిష్టను విడమరచిన వారైరి3. స్త్రీలు పౌరుషమున్న మగవాళ్ళతో మాత్రమే కలయవలెను2.

3 [Agastya:] ‘Not in vain is all this toil,1 which the gods encourage. We two must always strive against each other, and by this we will win the race that is won by a hundred means,4 when we merge together as a couple.’

3.అగస్త్యుడు: దైవ కృపవలన మన శ్రమ వృధా కాదు1. మనము కలిసి కర్మల నాచరించి, దంపతులుగా ఏకమైతే అనేక మంది పూర్వీకులు4 వెళ్ళిన మార్గములో నడిచి విజేతల మవుతాము.

4 [Lopamudra :] ‘Desire has come upon me for the bull who roars and is held back,5 desire engulfing me from this side, that side, all sides.’[The poet:] Lopamudra draws out the virile bull:2 the foolish woman sucks dry the panting6 wise man.

4. లోపాముద్ర: ఒక నియంత్రించబడిన బలమైన ఎద్దు వలె5, నా వాంఛ అన్ని వైపులా బలీయమవుతోంది. [ద్రష్ట: లోపాముద్ర ఒక పోటెత్తిన ఎద్దును ఉదహరించి2, భర్తను ఆపసోపాలుపెట్టి నిర్వీర్యుడిని చేస్తోంది]

5 [Agastya:] ‘By this Soma which I have drunk, in my innermost heart I say: Let him forgive us if we have sinned, for a mortal is full of many desires.’

5. అగస్త్యుడు: నేను త్రాగిన సోమ రసము సాక్షిగా, మనము తప్పుచేస్తే దేవుడు శిక్షించు గాక. మానవ మాత్రులకు అనేక కోరికలు ఉంటాయి.

6 Agastya, digging with spades,7 wishing for children, progeny, and strength, nourished both ways, for he was a powerful sage. He found fulfillment of his real hopes among the gods.

6. మహా తపస్వి అయిన అగస్త్యుడు ఒక గునపము వలె7, సంతానమాసించి, శక్తిని కోరి శ్రమించెను. అతడు తన కోరికలను, ఆశలను దేవతల సహాయముతో తీర్చుకొనెను.

NOTES

వివరణ

1. This word often refers to the exertion of religious activity. When she uses it, she may refer to her work as his wife or to her own asceticism (the commentator suggests that both of them practise asceticism), and when he uses it (v. 3) he refers to his asceticism.

1. ఇక్కడ ఆధ్యాత్మిక పరిశ్రమ సూచింపబడినది. ఆమె పతి సేవా దురంధర లేదా ఆధ్యాత్మిక పరిపక్వత గలది (ఎందుకనగా దంపతులిరువురూ ఆధ్యాత్మిక చింతనగలవారు కనుక) అని సూచింపబడినది. అతడు ఈ పద ప్రయోగము (3 వ పాదంలో) చేసినప్పుడు తన వైరాగ్యం గూర్చి తెలిపెను.

2. This word (vrsan) recurs throughout this hymn (and elsewhere in the Rig Veda: cf. 1.32, 10.10.10). Its basic meaning is one who sheds rain or seed; it comes to mean a potent male animal, particularly a bull or a stallion.

2. వృషన్ అనే పదము ఈ ఋక్కులో, మరియు తక్కిన వాటిలిలో (1.32, 10.10.10) అనేక మార్లు ప్రయోగింపబడెను. అది వర్షము లేదా వీర్యమును కురుయుటను సూచిస్తుంది. ఒక బలిష్టమైన మగ జంతువు అనగా ఎద్దు లేదా గుర్రమును సూచిస్తుంది.

3. The end of their asceticism; that is, they died childless and unsuccessful.

3. వారి యొక్క ఆధ్యాత్మికత పరిసమాప్తమగుట. అనగా సంతానము లేనివారై, పరాజితులగుట.

4. He argues that each of them should go his own way, as various strategies are needed to win the race for happiness and immortality, but he implies that he will ultimately accede to her importunities. By ‘striving together’ they will engage in the agonistic Vedic sacrifice, like two rival priests.

4. అతడు సంతోషము మరియు అమరత్వము నాశించి మనుష్యులు తమదైన శైలిలో ప్రవర్తిస్తారని భావించినా, ఆమె కొరకై తాను రాజీపడవలెనని నిర్ణయించెను. వారిరువురు యజ్ఞంలో పోటీ పడుతున్న పురోహితుల వలె కలిసి శ్రమిస్తారని సూచింపబడినది.

5. He holds back his seed. If this verse is placed in Agastya’s mouth, it would mean: ‘The desire of my swelling teed [phallus], which is held back, overwhelms me …’

5. అతడు తన వీర్యాన్ని స్థంబింప చేస్తాడని సూచింపబడినది

6. He pants either with desire (before) or exhaustion (after); the verb merely indicates heavy breathing. This verse may follow an episode of mimed sexual intercourse.

6. ఇక్కడి పద ప్రయోగము దీర్ఘ శ్వాస క్రియను సూచిస్తుంది. అతడు మొదట కామ వాంఛతో, అది తీరిన తరువాత అలసి పోయినట్లు సూచిస్తుంది.

7. A metaphor rare in the Rig Veda but widespread elsewhere, and obvious.

7. ఈ ఉపమానము ఋగ్ వేదములో అతి తక్కువగా, మిగతా చోట్ల అనేక మార్లు వాడబడినది.

Sunday, December 28, 2025

Reflection Symmetry of Mainstream Science and Mainstream Media

Dwelling more on symmetry and Arthanaareeswara, a scientific point of view is available with several references https://pmc.ncbi.nlm.nih.gov/articles/PMC3705693/ . While this is Lord Siva's tattva, Bhagavata provides many instances of Lord Visnu taking the feminine forms like Mohini that is more of a ploy than a tattva. That means, Lord Siva is not just making appearances to save mankind or making temporary truce between devas and asuras. He is an embodiment of the human condition.

As said many times, "Lord Siva leaves no child behind including those wrestling with bisexuality, hermaphroditism, homosexuality, gender identity disorder, gonadal dysgenesis, chromosomal defects, etc." that are often referred to as LGBTQ factors that are physiological. Freud and Jung agreed that there is neither perfect masculinity nor complete femininity based on psychological studies. That means, every jiva falls into the gray areas between the two gender extremes.

The creation after going through many maha yugas is trying to achieve perfection, like a pure diamond sans inclusions, which is akin to a computer that never fails. Sometimes the manufacturing defects are passed on to the consumer. The Law of Karma may have something to do with this.

In the symmetry debate, mainstream science only accepts certain combinations of matter or energy that lead up to satisfying conservation laws that are thought to be of paramount importance ("all laws of nature originate in symmetries"). Mathematicians are more precise by looking for invariance (changelessness) under transformations such as translation (moving from A to B), reflection (like in a mirror), rotation (like earth around its axis) and scaling (changes in multiple dimensions). And the development of supersymmetry to understand the plethora of subatomic particles MSS discovers, rather conjures up everyday. Whereas, MSS has turned from us vs. dogma to us vs. universe where contrarian views and thought experiments have lesser importance than personalities.

So that leads to my inference that Mainstream Science and Mainstream Media enjoy reflection symmetry. If I said they are a happy couple, I'd be breaking the symmetry. So I leave it upto them to figure out.

However, as hindus built temples such as Arthanareeswarar Temple in Tiruchengode, and made carvings of arthanaareeswara, is it like having a third pole? I think it is like advaita where all we see is oneness or unity. When there is no second, where is the question of the third?

I can imagine some non-savaites thinking that siva-sakti unity is a blight and a blemish. To support my claim the Wiki page (Ardhanarishvara - Wikipedia) draws parallels to Yama-Yami of Rig-Veda which in my view is incorrect. Here is from Rig Veda translated by Dr.Wendy Doniger

10.10 Yama and Yami

Yama, the first son of the sun, is regarded in later mythology as the first mortal man and king of the dead, while Manu, the sun’s other son, is regarded as the ancestor of the human race. In Avestan mythology, the primeval incest of the twins, Yama and Yami, remains an important episode in the procreation of the human race; in India, Yama rejects the erotic solicitations of his sister in the Rig Veda and is never again exposed to them, for later Indian mythology is significantly silent about the affair. The hymn is not, however, a commentary on a social charter (‘Thou shalt not commit incest’), but rather a speculation – ultimately negative – on a possible cosmogony, the male and female twins functioning as a variant of the androgyne.

The hymn begins, as is usual with those of the ‘conversation’ genre, in medias fires. Yami invokes gods of procreation and argues that the human race must be preserved; Yama counters by invoking moral gods and their laws. Unlike the similar conversation between Agastya and Lopamudra (1.179), this hymn ends with the rejection of the woman, who finally loses her temper completely.

1 [Yami :] ‘Would that I might draw my friend into intimate friendship, now that he has gone far across the ocean.{1} A man of foresight should receive a grandson from the father, thinking of what lies ahead on earth.’

2 [Yama:] ‘Your friend does not desire this friendship, in which a woman of his kind would behave like a stranger.{2} The heroes, {3} the sons of the great spirit,{4} supporters of the sky, see far and wide.’

3 [Yami:] ‘The immortals desire this, that off spring should be left by the one mortal. Let your mind unite with my mind;{5} as a husband,{6} enter the body of your wife.’

4 [Yama :] ‘ Shall we do now what we have not done before? Shall we who spoke truth out loud now whisper false- hood?{7} The divine youth in the waters{8} and the woman of the waters – such is our source, our highest birth.’{9}

5 [Yami:] ‘The god Tvastr,{10} the creator and impeller, shaper of all forms, made us man and wife even when we were still in the womb. No one disobeys his commands; earth and sky are our witnesses for this.’{11}

6 [Yama:] ‘Who was witness of that first day? Who has seen it? Who can proclaim it here? The law of Mitra and Varuna is high. Yet what will you say to men, wanton woman, to seduce them?’

7 [Yami:] ‘Desire for Yama has come upon me, Yami, the desire to lie with him upon the same bed. Let me open my body to him as a wife to her husband. Let us roll about together like the two wheels of a chariot.’

8 [Yama:] ‘These spies of the gods, who wander about here below, do not stand still, nor do they bunk their eyes. Wanton woman, go away fast with another man, not with me. Roll about with him like the two wheels of a chariot.’

9 [Yami:] ‘ She would do what he wished in the nights and in the days; she would deceive the eye of the sun for the instant of the blink of an eye. We twins are related in the same way as sky and earth. Let Yami behave toward Yama as if she were not his sister.’

10 [Yama:] ‘Later ages will come, indeed, when blood relatives will act as if they were not related. Make a pillow of your arm for some bull of a man.{12} Seek another husband, lovely lady, not me.’

11 [Yami:] ‘What good is a brother, when there is no protector?{13} What good is a sister, when destruction breaks out?{14} Overcome with desire, I whisper this again and again:mingle your body with my body.’

12 [Yama:] ‘Never will I mingle my body with your body. They call a man who unites with his sister a sinner. Arrange your lustful pleasures with some other man, not with me, lovely lady. Your brother does not want this.’

13 [Yami:] ‘Dammit, Yama, how feeble you are. I have not been able to find any mind or heart in you. Some other woman will surely embrace you like a girth embracing a harnessed stallion or a creeper embracing a tree.’

14 [Yama:] ‘You too, Yami, will surely embrace another man, and he will embrace you, as a creeper embraces a tree. Seek his mind, and let him seek yours. Join with him in proper harmony.’

Notes

1. The ocean may be the metaphorical ocean separating mortals (like Yama) from immortals (as Yami may be), in which case ‘he’ is Yama. But ‘he’ may be the avenging god whom Yama fears (vv. 2, 6, and 8), or the sun in the water (v. 4), in which case Yami is assuring her brother that he need not fear, as the spy is absent across the ocean.

2. This may mean that Yama does not wish the woman of his kind (his sister) to act like a stranger (like a woman with whom sexual contact is allowed); in caste terms, he avoids marriage within the subgroup (gotra). Less likely, but possible, is the interpretation that Yama fears that a woman not like him (an immortal) will behave like one of his kind (a mortal woman, one who may have sexual contact with him). In caste terms, he avoids marriage outside the group (varna).

3. The gods, or perhaps just the Adityas, the particular servants of Varuna.

4. Varuna, most likely, as guardian of the moral law; or Rudra, punisher of incest (in which case the ‘heroes’ would be the Maruts).

5. The word (manas) can designate mind or heart, the seat of both rational and emotional functions. But since it is later contrasted with a word for ‘heart’ (v. 13), it is here probably limited to the first connotation.

6. Here Yami implies that Yama actually is her husband, a thought which she makes explicit in v. 5; later, however (v. 7), she merely asks him to behave as if he were her husband, as her resolve weakens.

7. The word, anrta, means not merely to speak a lie but to say something that violates the moral order, to say something that may be true but should not be.

8. Probably the sun, born of the waters, but perhaps just any Gandharva.

9. Yama argues both that people born of such lofty parents should not break the moral law, and also that he and Yami, having the same parents, cannot procreate together.

10. The god of procreation, and the artisan of the gods, fashioner of the embryo in the womb. Cf. 10.184.1, 4.18.3.

11. Here and in verse 9, Yami argues that sky and earth are as closely related as she and Yama are, that their procreation was not only permitted but even archetypal.

12. ‘Bull’ is Vedic slang for a virile man, like ‘stud’ in American; cf. 1.179.1 and 1.179.4.

13. She argues that a brother should protect his sister, even if this involves incest, to keep her from going unsatisfied and un fertilized. Ironically, it is the brother who should find a husband for his sister and avenge her if she is rejected.

14. Destruction (nirrti) both in the wider sense of the destruction of the human race (as she argues in verse 1) or in the more particular sense of the destruction that comes upon a man who dies son- less.

Regards

Equivalence of Mainstream Science and Mainstream Media

I am a fan of "Telugu Alchemist" who posts videos on youtube about "mainstream science" which give me an opportunity to cogitate over vedic science. In a recent video he talked about the Law of Conservation of Energy where he translated "energy" to "sakti", perhaps a term used in academic curriculum. I will come to the Law a little later, but first I would like to clarify on "sakti" which primarily means female principle in hinduism but has other derived meanings like the connection between mind, god, etc. with matter.

It is believed that yogis possessed yoga sakti using which they could bend solid objects or travel to the place of their choice instantaneously. Whether one believes in such metamagical themes, one has to be generally receptive to the female principle and the interaction between mind and matter to appreciate the wisdom of the rishis.

For instance, what is the sakti that makes firewood useful for cooking? A rishi would say firewood has "agni tattva" whereby prayer or its equivalent such as rubbing flint stones initiates the combustion process that manifests as light and heat. Why is rubbing flint stones the same as prayer? Simply, the "agni" in flint stone was discovered by someone using their mind! If you say, the search engine told you

"The discovery of fire was attributed to Homo erectus, during the Early Stone Age. They likely first discovered fire through natural events such as lightning strikes or volcanic eruptions and learned to control it for warmth and cooking."

Therefore, there was no serendipity and a "discovery" was made, which is ipso facto mind!

To understand the female principle of sakti requires abstract thinking. In Sankhya, mentioned in Bhagavad Gita, Prakruti, which is sakti, comes in contact with Purusha, which is consciousness or spirit, to energize the Jiva. In other words, sakti is necessary for the creation and sustenance of jiva. Though Prakruti is commonly referred to as nature or matter, ultimately it is a manifested female principle.

Did our rishis miss the "energy" concept altogether? The mention of agni in hundreds of veda mantras and the various references such as sapta jihva, aapaye, indhanaya, jaataveda, vanaspataye, etc. attributed to agni, apply to energy as well. When you have a boundless entity manifesting in various forms, including terrestrial and celestial objects, what would one have to say about its conservation? The saanti mantra puts it succinctly "Aum! That is infinite, and this (universe) is infinite.The infinite proceeds from the infinite. (Then) taking the infinitude of the infinite (universe), It remains as the infinite alone."

But what about the law? Alchemist uses time and space symmetries of physics to explain the law. He gives an example of a compressed spring that has the same energy whether it is transported in space or measured at various times. However, tell that to people making perpetual motion machines, liquid water fuel, and replacing silicon chips with biological brains.

One thing overlooked is energy is not a vector and inert. It can't make objects move which can only be done by a vector like force, for instance, but gets consumed in motion. Simply put, unless energy is released by either a vector or a process such as combustion, it remains latent and unmanifested.

In the terrestrial frame of reference, for example, when we consider a coal fired steam engine, the energy released by burning coal, converts water to steam that moves its wheels. Suppose someone tells you to put miniature wind turbines along the railway tracks, and recover some of the energy released by the coal whenever a train passes causing wind turbulence, one would say that is ludicrous! In other words, the law was established for the convenience of fitting mathematical formulations, rather than real life.

Finally, I would like to comment on those who stick to time and space symmetries as the golden standard and there is no symmetry in "Artha-naareeswara" for why would a half-male and a half-female together give rise to a symmetric form? I think the rishis are telling us "don't be fooled by the outer appearance" and the form that seems asymmetric and self-contradictory is indeed Brahman who was described by Adi Sankara in various ways in Nirvana Shatakam that begins as:

"Mano-Buddhi-Ahankaara, Chittaani Naaham Na Cha Shrotra-Jihveh, Na Cha Ghraan-na-Netre Na Cha Vyoma Bhoomir, Na Tejo Na Vaayuh Chid-Aananda-Roopah, Shivoham Shivoham"

"I am not the Mind nor Intelligence the Ego, or the faculty of recollections. I am not the faculties of Hearing, nor that of Tasting, the faculties of Smelling or Seeing. I am not the Sky, nor the Earth, Neither the Fire nor the Air"

Regards

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